HANDWRITING ANALYSIS- know what a person feels about his ability to deal with other people by THE ANGLE OF SCRIPT
Is anybody out there listening to you? What do you want them to hear?
The angle of script tells how the writer feels about his ability to deal with other people. And the ability to deal with other people is not the same as the ability to make friends or even the desire to have them. The direction of the tilt (right,left or vertical) tells you the writer's need to relate to others, or avoid them; the degree of tilt (moderate or extreme) tells you the intensity of that need.
A right tilt is other-oriented , the vertical tilt tends to be self-sufficient, and a left-leaning tilt shows a writer who is drawing back from outside contacts. The further the script tilts, the more important other people are to the writer; the further left it leans, the more that writer is shutting other people out of his life.
An extreme tilt shows someone who is overreacting to the effects of their contacts with others. There is more leeway in a right tilt because this language and especially in this country, encourages a right tilt to begin with. In this case of a right tilt, over-reaction means increased dependence on others, in the case of left tilt, it means increased withdrawal.
A variable tilt is a picture of what psychology calls an "approach-avoidance" conflict: the writer who cannot make up his mind whether to be outgoing or reserved.
Now lets take a look at what each degree of tilt tells us about the writer.
A. Angle right
A right angled script is used by writers who are other-oriented: interested in people and events outside themselves.
- Controlled right
The controlled right tilt shows someone who gets along well with other people; this writer is able to express his own ideas, and is interested in the ideas of others. Such a person is basically friendly, and can be warm and affectionate; but his behavior is controlled by his intelligence, rather than dependent on support or approval from others.
Graphology calls this the "Ideal Tilt" It shows rational behavior and unoppressive self control. The person who writes like this way may have as many problems communicating as anyone else, but he basically likes others anf gets along reasonably well with them. If included in social activities, he can enjoy himself without going overboard; and if he can't make a connection with someone else, he doesn't take it as a reflection on his own value as a person.
- Pronounced right
With a pronounced tilt, you have a writer who is much more interested in others, much more expressive of his thoughts and feelings, and who has a greater need for the company of others. He likes parties, social and community activities, and getting involved. Such a writer can also be sympathetic and affectionate, but while the pronounced tilt still retains a fair measure of self-control ,its user also tends to be more emotional, and more likely to indulge in impulsive behavior. Depending on other signs in the script, these people generally like to spend their energies on activities involving others; they do not like to be alone, needs lot of praise and a return of attention and affection they give; and they tend to judge both others and themselves more by feelings than by facts.
- Extreme right.
The extreme tilt writer is less rational and more excitable. He doesn't simply want other people in his life; he depends on them for ego-support and for guidelines in building his own self-image. Insecurity is a dominant trait which can be expressed in many ways, and jealousy is often one of them; most people who write this way are also extremely sensitive. The extreme right shows a writer who laughs and cries easily, is much more impulsive in decisions and reactions and much more demonstrative about likes and dislikes. Such people can be unstable and unpredictable in behavior, they are trying to pick up their cues on how they "should" act from what they sense as the approval or disapproval of the people around them, and they are much more likely to put on a mask. This writer can latch onto someone else with a smothering grip, and can therefore sometimes be forcibly rejected; he needs help in understanding that the security he's looking for must come from within, not from others.
- Very extreme right
Even extremes have extremes: the further right the tilt, the more totally dependent the writer is on other people for ego-support. When the right tilt lays down flat, you're dealing with someone who has lost control. Unless there are tempering positive signs in other elements of the script, this type of writer can be an hysteric , capable of intense and sometimes dangerous emotional outbursts, unpredictable and erratic behavior, and violent jealousy. Such people are ruled almost entirely by their emotions, which can range from intense excitement to black despair; they wear themselves out and demand too much of others. They get over-involved, over-stimulated, over-excited. The problem is that they don't really know what it is they are running to, they just know they want to get there in fastest way possible; it's also very important to them to make sure they are not "left out" of anything. They are exhausting to live with, an its difficult if not impossible to explain to them that they are actively alienating, by the intensity of their emotional demands, the very people whose attention and support they are trying to gain. This writer should be dealt with carefully; it won't take much to push him over the edge.
B. Angle vertical
The vertical writer is self-sufficient, and usually self-contained. This is not to say that he has no interest in anyone or anything else. But he can get along without you very well and often prefers to. 
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Next, we will see how much personal space a writer requires by size of their script.