Toy Story 1995 Review
The adults do not know perhaps not, but the toys take advantage of our inattention, our sleep, our absence, to take life, to go quietly about their business. No, I don't take LSD, I'm simply attentive to what happens around me. I assure you that a Barbie at work shook the head of a micro centimetre to the right, taking advantage that I was doing the laces of a marmot. I really don't know why but since they call me "the crazy". But one day, one day my friends, I would have the proof of what I advance. In the meantime, I am content to graduate the floor with chalk and shoot the games room permanently. You never know.
The first feature film entirely designed with computer images, "Toy Story" is a technical revolution, as a stone into the pond, a co-production between Disney and Pixar, based on the short film "Tin Toy" made in 1988. Directed by John Lasseter, the film will forever change the world of animation and film, precipitating despite himself, the death of traditional animation, a little in the image of Spielberg who buried the stop-motion, with its "Jurassic Park".
Formally mind-boggling for the time, "Toy Story" has, of course, suffered the ravages of time and may seem a bit too geometrical compared to the current work. But unlike many of its competitors, the film by John Lasseter does not rely only on its form, understanding that it will be outdated one day or the other. The difference between "Toy Story" of his future comrades, is of course his heart.
A Fable about the magic of childhood, and the power of the imagination, "Toy Story" takes us to a mini road movie as funny as touching, a getaway filmed at the height of the toys which the parents have virtually no place, a microcosm governed by rules that are finally not so far away from our world. Lasseter and his writers reproduce this subject perfectly, group dynamics, jealousy, suspicion, and power struggles that gangrènent any community.
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We are as well acquainted with some of the characters of the most endearing characters of the Disney universe, starting with the duo featuring Woody / Buzz, the old cowboy trying to regain his place as the leader, the other toys that don't know about taking a real space ranger. Of the protagonists incredibly living with their complexity and their neuroses, we can only love him from the bottom of my heart. On the fringes of the supporting roles just as tasty versions of hardly deformed toys that we've had in our childhood. We welcome the passage of the great work on dubbing, without which the result would not have been the same.
Fully understanding the importance of the toy fetish in the construction of the child (in the same way as a security blanket), "Toy Story" is an ode to these little pieces of lint and plastics which have accompanied our childhood (and which we will selfishly, as shown in the character of Sid, the evil twin of Andy), a small wonder, humour and emotion, the rhythm that made him enter the studio at the light sabre in the court of the great.