Set of horses | horses under the lens

In Beijing, where high-rise buildings can't see the horizon, I have been waiting for a long time. When I arrived at the Mulan paddock, I felt that every cell in my body was excited. The degree of excitement was no less than the first time I saw snow in the north. Yes, I am a Southerners.

Looking at the ocean in front of the golden autumn that could not be seen at the end, the "smog" that had been sinking in the heart was scattered by the ubiquitous beam on the grassland.

Saihanba is part of the Mulan paddock. It is known as “the source of water, the hometown of the cloud, the world of flowers, the ocean of the forest”. It is in the fall, it is beautiful, and the deep yellow and autumn are unique. The high blue and white light and white reflect each other, and the green and blue colors of the spring and summer grasslands are definitely more into the picture.

Integrate people into landscape photography

In the travel, you can't avoid making people as a commemoration. How to make a photo of the travel photo, this is not only necessary to take a good view, but also to guide the model to enter the country, in order to complete a good photo of the attractive travel.

EOS M3 Aperture: F5.6 Shutter: 1/640s ISO: 200 Focal length: 50mm

Want to know how excited she was at the time? You can understand this photo. Walking in the open grass, I can't stop jumping, so I decided to take this crazy, as the most beautiful memories. In the composition, the character is placed at the vanishing point of the picture, that is, the point where the road, the railing, and the three grooves below the pool converge. The key to the moment of the freeze jump is the high shutter speed and high-speed continuous shooting. At this point, the EOS M3 did not disappoint me at all.

EOS M3 Aperture: F16 Shutter: 1/80s ISO: 320 Focal length: 24mm

If you want to make a lottery, you still need to find the best positional relationship between the person and the scene, so that there is a common feeling between the two. For example, this picture, at this time, allows the mold to sit at the corner of the end of the railing. This position can make the picture elements more full, and can also cleverly connect the distant view with the close view, and properly give the lake surface level as mirror. How angry. Secondly, the posture and expression of the model are also integrated into the atmosphere of the scene, which is very important, otherwise the best position is also a no-brainer, to guide the model into the scene.

EOS M3 Aperture: F5 Shutter: 1/320s ISO: 320 Focal length: 24mm

The arrogant wind swayed the branches and leaves in one direction. At this moment, the long hair of the running man was picked up by the wind, just like the branches around him, and there was a kind of artistic conception.

This kind of photo needs more shots, don't interrupt the mood of the model, pay attention to the composition, and then take more shots until the most natural moment is captured. Many people think that those natural photos are captured by picking up the camera and picking up one. This skill is only available to the masters of the temple. I am waiting for ordinary photographers to take more shots. Hand speed can't keep up with eye speed is the state of most photography enthusiasts. There is no other way to solve this problem, or to find more feelings.

Waiting for the most beautiful moment

EOS M3 Aperture: F5.6 Shutter: 1/250s ISO: 300 Focal length: 50mm

When I met a very scenic landscape, I kept holding the camera and waiting for the best light, just waiting for the momentary freeze. In landscape photography, pay attention to waiting for the most beautiful time. Light is the aura of photography. Don't neglect the influence of light on a photo.

EOS M3 Aperture: F5.6 Shutter: 1/250s ISO: 300 Focal length: 27mm

In the Urabutong prairie, I followed a yellow horse and I wanted to let it look up at me. I didn’t care about this yellow horse. I found that it was approaching another black horse and decisively "handed over" to the black horse, hehe! It also really appreciates the face, looked up and glanced at me, only to have such a photo of distance and color are satisfactory.

Interacting with the subject will always have unexpected effects! In order not to alarm the horse, I was kneeling on the ground and trying not to disturb the horse, but if I was standing and walking, I could not get the picture of this photo. Therefore, the shooting angle is also very important.

Take a picture that makes you feel

EOS M3 Aperture: F5.6 Shutter: 1/250s ISO: 300 Focal length: 22mm

I really like the extension of this road, so when framing, let it extend directly from the golden line of the picture. When you travel, you should carefully look at every scene and capture the most beautiful state.

EOS M3 Aperture: F7 Shutter: 1/250s ISO: 400 Focal length: 155mm

When I took this picture, I put on the M3-equipped 55-200 lens, because I always wanted to take simple color + line minimal comfort, but fortunately there is a telephoto to meet my needs. The choice of lens is still to see the individual needs, personally feel that only a 18-55 head on the road is also enough. Telephoto lenses are not commonly used.

EOS M3 Aperture: F7 Shutter: 1/200s ISO: 160 Focal length: 35mm

This photo was taken in the Seven Star Lake Park. The Seven Star Lake in the morning mist has a quiet beauty. This photo follows the basic composition rule of smooth and golden ratio division on the composition, which is relatively stable. The angle of the framing position makes the wooden house slant on the edge of the woods, giving the picture a sense of fairy tales.

EOS M3 Aperture: F7 Shutter: 1/200s ISO: 160 Focal length: 35mm

There was no wind in the morning lake. I chose to shoot the bridge with a smooth composition method and took a picture of the beginning of the movie.

EOS M3 Aperture: F5.6 Shutter: 1/80s ISO: 320 Focal length: 135mm

The two lotus leaves in the Seven Star Lake, the feeling of close to each other makes me heart.

EOS M3 Aperture: F5 Shutter: 1/160s ISO: 160 Focal length: 35mm

For personal preference, when I was shooting a scene, I was more concerned with the feeling than the big scene. For example, this swollen shrub comes with a vicissitudes of loneliness. Determine the main body of the picture, do not go off the lens. When framing, I placed it in the lower right corner of the picture, highlighting its subjective relationship. When a newcomer is taking a photo composition, he can use the nine-square grid pattern method first, balance first, and then slowly break it.

If you also like the window

EOS M3 Aperture: F5 Shutter: 1/500s ISO: 320 Focal length: 67mm

EOS M3 Aperture: F5 Shutter: 1/500s ISO: 320 Focal length: 67mm

Sometimes, the scenery outside the window is also very charming. If you can't stop, change to telephoto. I used a 55-200 lens to capture with a shutter speed of 1/500s. The M3 capture speed is not bad.