I really like that picture, @velimir. This distant distribution of the empty chairs, raised on a plate (or something similar that I cannot identify), already propitiates the interpretation, which is completed with the surface of the cobblestones and that twilight ("The sunset of the gods": I get the title of Nietzsche's book and Visconti's film). You get an extremely suggestive colour and nuances about the motif. A question: is it a sought-after photo or part of the record of a kind of performance?