Poetic Film Review: My Fair Lady (1964)

In sixties cinema, a tale unfolds,
Of myths and misconceptions, young and old.
A era marked by art and experimentation bold,
Yet, beneath the surface, a different story's told.

Historical epics and musicals held sway,
Conventional and grand, in a bygone day.
My Fair Lady shines, a quintessential example bright,
A film that captured hearts, with its music and delight.

Based on Shaw's Pygmalion, a satire so fine,
The movie retains its wit, with social commentary divine.
Eliza Doolittle's journey, from flower girl to lady fair,
A transformation remarkable, with Audrey Hepburn's flair.

With Rex Harrison as Higgins, and Wilfrid Hyde-White by his side,
The film's sharp dialogue and music, do proudly reside.
A budget of $17 million, a gamble that paid off well,
The film's success was monumental, its impact still to tell.

But modern viewers may find it challenging to understand,
Why My Fair Lady achieved such success, in this cinematic land.
Its studio-based production, may seem old-fashioned and gray,
But the answer lies in its source material, and the talents that paved the way.

George Cukor's direction, Harrison and Holloway's reprised roles,
Lent authenticity to the film, like precious gems that unfold.
Audrey Hepburn's performance, a standout element so rare,
Her embodiment of Eliza, both compelling and nuanced to share.

Yet flaws exist within the film.
Hepburn’s singing dubbed by Marni Nixon did undermine her claim
and an epic runtime nearing three hours does test one’s patience thin
excessive dialogue some might find for a musical narrative within

Despite these shortcomings My Fair Lady remains an exemplary work of art
a reflection on social class dynamics still relevant in our heart
its lavish visuals memorable music sharp wit do offer an engaging experience
that transcends mere entertainment it stands as testament to Hollywood’s golden age essence.

(Note: The review in its original form can be read here.)

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