Life Extraterrestrial Fun, Until Someone Gets Hurt''''''''''''''

Life is a 2017 American science fiction horror film directed by Daniel Espinosa, written by Rhett Reese and Paul Wernick and starring Jake Gyllenhaal, Rebecca Ferguson, and Ryan Reynolds. The film follows a six-member crew of the International Space Station that uncovers the first evidence of life on Mars.

The first co-production between Skydance Media and Sony Pictures, the film had its world premiere at South by Southwest on March 18, 2017, and was theatrically released in the United States by Columbia Pictures on March 24, 2017. It received mixed reviews from critics, receiving praise for its acting, visuals, and writing, though several criticized its lack of originality. Life was a box office success, grossing $100 million.

Critical response
On review aggregation website Rotten Tomatoes, the film has an approval rating of 67% based on 219 reviews, with an average rating of 5.9/10. The site's critical consensus reads, "Life is just thrilling, well-acted, and capably filmed enough to overcome an overall inability to add new wrinkles to the trapped-in-space genre."[24] On Metacritic, the film has a weighted average score of 54 out of 100, based on reviews from 44 critics, indicating "mixed or average reviews".[25] Audiences polled by CinemaScore gave the film an average grade of "C+" on an A+ to F scale,[26] while PostTrak reported just 48% of audience members gave the film a "definite recommend".[22]

Joe Morgenstern of The Wall Street Journal said of the film, "For all its flashy trappings, weighty ruminations and zero-gravity floatings aboard the International Space Station, Life turns out to be another variant of Alien, though without the grungy horror and grim fun. In space no one can hear you snore."[27] Describing the theme of outer space, Ben Kenigsberg of The New York Times said "As the astronauts contend with airlocks, busted equipment and escape pods, it becomes increasingly difficult to pretend that this isn't territory where more inventive screenwriters and stronger visual stylists have gone before."[28] Peter Travers of Rolling Stone faulted not the scenes but the performances, saying there was "not a single actor in Life who manages to fill in and humanize the blank space where a character should be."[29]

Michael O'Sullivan of The Washington Post approved of these character flaws, saying the "conflicting dynamics of their individual temperaments lead occasionally to poor decision-making. While this may be bad for their health, it's great for the movie," adding that "Life has cool effects, real suspense and a sweet twist. It ain't rocket science, but it does what it does well—even, one might say, with a kind of genius."[30] Richard Brody of The New Yorker complimented this balance of character and plot from the director, saying "Espinosa's sense of drama is efficient, familiar, and narrow; if there's a moral sentiment to his direction, it's precisely in the limits that he imposes on the movie's dose of pain and gore."[31] Kenneth Turan of the Los Angeles Times opined that Life, with a mise-en-scène of the International Space Station, was "a wonderful setting for a meal we've tasted before," adding that it is "undeniably satisfying to be in the hands of a persuasive director who knows how to slowly ratchet up the tension to a properly unnerving level."[32]

Empire summarized their review as "Part Alien, part Gravity, just not as good as either of them. But Life whips along at a decent pace and deploys enough engaging action sequences to make it work."[33]

https://en.wikipedia.org/wiki/Life_(2017_film)