Special approach to cityscape

There is such a frequency (or creative wave) in reportage and landscape photography as the strangeness of camera angles. I was so "sick" even before I knew all these wave frequencies. The trick is brainstorming, when the hackneyed angles of the city need to be filmed in a way that no one has ever filmed before.

You just need to walk around all the architectural objects and take a closer look.

If you have a supertele lens or a ultra-wide one in your arsenal, then the task is simplified.

I like to compress space by superimposing some objects on others.

In other words, it is necessary to work with the plans so that they are all independent, but complement each other.

The first task is to collect as many different objects as possible in the frame.

The second task is to put one on top of the other, to connect objects in their absurd combination.

Well, the third is to photograph one thing through the other. In fact, all tasks are similar, but they differ in their message and approach.

In short, then: planning, overlap, framing.

And you can also use a super telephoto lens to capture something distant from an unusual point.

In winter, the most unexpected views can open up without foliage.

In general, I started my photographic journey right away with effects so that the viewer would be surprised and amazed.

Then they settled me down a bit so that I could learn classical composition first.

But I can't do it without effects...How about without "wow"? No!

Isn't this what photography as an art is built on, to surprise and amaze?