Contrast spring street

Perception of reality and attitude to the passed stages of creative activity work interestingly. I often get pleasure from realizing what I've come to. But sometimes nostalgia is so exciting that I want to immerse myself in the processes that I once studied.

I used to divide street photography into spotted and contrast photography.

They differed not only in the techniques of creating a picture, but also in the atmosphere and sensations.

Contrasting street was something metaphysical and deep for me, where I paid attention to black shadows, geometry, lines, and shape.

Spotted Street is more of a mind game for me, where I have to put as many details into the frame as possible.

Now I don't divide anything into anything, for me everything in common is a response to what I saw.

But sometimes I want to immerse myself in that magical state that I once experienced while searching for deep contrasting subjects.

I shoot spotty street with a telephoto lens, contrast street with a standard zoom or even a wide angle.

It turns out that the effect of presence is in the contrast street, therefore it is more sensual.

And if there are feelings, then it affects the picture.

The whole equation is solved! This is all based on my many years of observations and conclusions!

I'm gradually waking up, which means that metaphysics is returning to the frame, and with it, reflections on all sorts of deep topics!