Pharaoh Ramses II statue discovered
Archaeologists from Egypt and Germany have found an eight-metre (26ft) statue submerged in groundwater in a Cairo slum that they say probably depicts revered Pharaoh Ramses II, who ruled Egypt more than 3,000 years ago.
“Last Tuesday they called me to announce the big discovery of a colossus of a king, most probably Ramses II, made out of quartzite,” the antiquities minister, Khaled al-Anani, said at the site of the discovery.
The pharaoh, also known as Ramses the Great or Ozymandias, was the third of the 19th dynasty of Egypt and ruled for 66 years, from 1279BC to 1213BC.
He led several military expeditions and expanded the Egyptian empire to stretch from Syria in the east to Nubia (northern Sudan) in the south. His successors called him the Great Ancestor.
I am dumping this information here.
Uruk was an ancient city of Sumer and later Babylonia.
For thousands of years, starting in around 4000 BC, Uruk, now in Iraq, was the most thriving city in the world, swelling from a population of 5,000 to 75,000 before being trumped by Thebes in Egypt. Situated east of the present bed of the Euphrates river, on the dried-up, ancient channel of the Euphrates River, some 30 km east of modern As-Samawah, Al-Muthannā, Iraq.
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With the Uruk period in ancient Mesopotamia we see the very beginnings of writing and are, therefore, almost into a historical period! How exciting! I’m sure that’s how the ancient Mesopotamians felt about it.
As in the Ubaid period, the term “Uruk” refers to three things: a time period, an ancient city (now an archaeological site), and a material culture. The time period is ca. 4000-3000 BC, and the city is the main and almost the only source of information we have for the period.
The Uruk period saw the development of several cultural factors which marked the transition from relatively egalitarian, sedentary agricultural towns to what we would call a “civilization.”
One of these was the development of public architecture. This architecture was “monumental,” in that it was built to impress; it was “public” because it was meant to serve, belong to, or encompass the whole community rather than a single family (even if not everybody got to participate directly in what went on in these buildings).
The city of Uruk had two major public complexes in the Uruk period. One of these was the Anu ziggurat and White Temple, both dedicated to the Mesopotamian sky-god Anu. Several architectural features of the building complex had appeared first in the Ubaid period, showing the continuity between the two phases.
Several hundred meters from the Anu ziggurat is the “Eanna precinct,” dedicated to the rather alarming goddess Inanna, who was the patron goddess of Uruk.
Along with monumental architecture, monumental art made its first appearance in the Uruk period. The best-known of these artifacts is the Warka vase (Warka being another version of the word Uruk). It depicts a procession of people bringing offerings to Inanna. The difference between this object, which shows specialized knowledge and excellent workmanship, and earlier art which mainly consisted of small clay figurines, marks a change in the way society worked.
http://www.historicity.org/?cat=62
"When kingship from heaven was lowered,
the kingship was in Eridu."
Eridu is an archaeological site in southern Mesopotamia. Eridu was long considered the earliest city in southern Mesopotamia and is still today argued to be the oldest city in the world.
(Located south of Baghdad, east of Basrah https://goo.gl/maps/LgQX7d6DBH12 )
In Sumerian mythology, Eridu was originally the home of Enki, later known by the Akkadians as Ea, who was considered to have founded the city. His temple was called E-Abzu, as Enki was believed to live in Abzu, an aquifer from which all life was believed to stem.
"My master has spoken to me, Enki has said to me: "Inana may travel to Unug, but you are to get the Boat of Heaven back to Eridug for me"."
http://etcsl.orinst.ox.ac.uk/cgi-bin/etcsl.cgi?text=t.1.3.1#
Where the tablet picks up, the gods An, Enlil, Enki and Ninhursanga create the black-headed people and create comfortable conditions for the animals to live and procreate. Then kingship descends from heaven and the first cities are founded: Eridu, Bad-tibira, Larak, Sippar, and Shuruppak.
After a missing section in the tablet, we learn that the gods have decided not to save mankind from an impending flood. Zi-ud-sura, the king and gudug priest, learns of this. In the later Akkadian version, Ea, or Enki in Sumerian, the god of the waters, warns the hero (Atra-hasis in this case) and gives him instructions for the ark. This is missing in the Sumerian fragment, but a mention of Enki taking counsel with himself suggests that this is Enki's role in the Sumerian version as well.
When the tablet resumes it is describing the flood. A terrible storm rocks the huge boat for seven days and seven nights, then Utu (the Sun god) appears and Zi-ud-sura creates an opening in the boat, prostrates himself, and sacrifices oxen and sheep.
After another break the text resumes: the flood is apparently over, the animals disembark and Zi-ud-sura prostrates himself before An (sky-god) and Enlil (chief of the gods), who give him eternal life and take him to dwell in Dilmun for "preserving the animals and the seed of mankind". The remainder of the poem is lost.[3]
[From Wikipedia. For the translated source, visit http://etcsl.orinst.ox.ac.uk/cgi-bin/etcsl.cgi?text=t.1.7.4# ]
“…Alulim became king; he ruled for 28800 years. Alaljar ruled for 36000 years. 2 kings; they ruled for 64800 years. Then Eridug fell and the kingship was taken to Bad-tibira. In Bad-tibira, En-men-lu-ana ruled for 43200 years…”