Piet Mondrian is one of the founders of the De Stijl movement in the Netherlands. It is recognized as a competent methodical abstraction and practice.

Radically, it simplifies that there are no objects to reflect what is perceived as the spiritual underlying of the world with a universal and visible language in the canvas. In his best paintings of the 1920s, Mondrian reduced the shape and length, and the palette to the basic foundation of the pure.

This time he uses asymmetrical balance and simplified picture vocabulary. This is very important in modern art and iconic abstract works that remain in popular design and culture today. As a theorist and writer, Mondrian believed that the underlying spirituality of nature. He simplifies the eyes of his painting lessons to the most elementary elements, with the aim of revealing the essence of the mystical energy in the balance that governs nature and the universe.

Mondrian chooses to filter out world representations for vertical and horizontal elements, which are an important force, positive and negative, dynamic and static, masculine and feminine. Its dynamic balance of compositions reflects what are perceived as the universal forces of these forces. Mondrian's single vision for modern art is evident in the methodical methodology of its art style from its traditional representation to abstraction.

His painting became-logically, and also evident from various modern art movements such as luminism, Impressionism, and most importantly, Cubism. Mondrian, and other artists from De Stijl, embrace pure abstractions with color palettes that are suitable for universal use in all universal art. Using basic shapes and colors, Mondrian believes that his vision in modern art will transcend divisions in culture and become a common new language in pure colors, shape flatness, and tension in the canvas.

Mondrian's book on Neo-Plasticism became one of the most important documents of abstract art. In it, he is broadly visual as an artistic expression in which "plastic" is simply called the action of shapes and colors on the surface of the canvas as a new method for representing modern reality.