Happy Birthday, Dear Complicated Nietzsche


As a young man, in my late teens, I named my first dog, Fritz, after Nietzsche's nickname, such was my passionate attachment to this contradictory thinker —who could say No out of one side of his mouth and Yes out of another.
Throughout my twenties, I regarded Nietzsche as closer to my temperament than living friends and family, a kind of spiritual ancestor who doubled up as mentor. As an impressionable youth, represented everything I longed to be: philosopher, poet, jester, sculptor of the self, moralist, consummate artist and yes, also (despite his too-loud protestations) a mystic.
If the great contrarian were alive, today, he would turn 174 years old. Of course, to a large extent, Nietzsche is alive today. I am reminded how much he is not what he seems to be. And how much it is he who is to blame for this confusion. For example, reading a collection of writings called Conversations with Nietzsche, you encounter the complicated man behind the mask, recollections of contemporaries who actually spoke with him and share their impressiosn.
Lou Andreas-Salomé, the woman whom Nietzsche referred to as his “twin soul,” was twenty-one when they met. He was thirty-seven. Nietzsche was smitten like he never had been before and never would be again. Salomé was particularly constituted to hear Nietzsche, and what she recognizes immediately upon engaging him is his “religious” temperament. One experienced from him, she writes, the sense “that he will step forth as the proclaimer of a new religion, and then it will be such a one as recruits heroes to be its disciples.”
Early on in their conversations, Nietzsche confides to Salomé that he considers himself a “tertium quid,” which means “a disembodied third person or entity.” It composes, Nietzsche told her. “I am neither mind nor body. . . .” People forget this, but Nietzsche penned more than a few poems during his tenure as furious world guardian and crisis-hour moralizer. “And my soul,” the Gondola poem reads, “a stringed instrument, / Sang, touched by invisible hands.”
It is this song that bursts from Nietzsche’s lips when he has gone mad and is being escorted on a night train to the clinic. Imagine his escort, a friend who was sent to retrieve him, a sensitive person who believes he is doing a good deed, a service to one troubled beyond bearing by the sight of a world so unashamed of the baseness of its enterprise, a world so shocking with self-deceit, a world so violent.
Imagine the other passengers. There must have been some. Middle class. Tired. Deep within the play of their own private lives. At the sound of his sudden exaltation, inclining slightly toward him. In Human, All Too Human, Nietzsche had written, “The most fortunate author is one who is able to say as an old man that all he had of life-giving, invigorating, uplifting, enlightening thoughts and feelings still lives on in his writings, and that he himself is only the gray ash, while the fire has been rescued and carried forth everywhere.”
Yes, Nietzsche lives... Happy Birthday, dear old friend _/|\_
nice tribute @yahialababidi, and I love your words here:
Thanks, for reading and your kind encouragement.
Today, is the birthday of another (de)formative influence on my character/writing: Oscar Wilde. If you've got the time/interest for another tribute, here it is :)
I realize how little I knew about Oscar Wilde and most of my impressions are of a flippant genius and didn't know he was so deeply inspired by the work of others and was a master at making that borrowed content wholly transformed into something all his own.
And as always, your ideas are beautifuly articulated!
Oh, yeah, Wilde is a 'flippant genius' but, beneath the cynicism and dangerous games with truth, he was a force to reckon with. That's why his plays work and captivate, because you sense the seriousness behind them, the thinker behind the clown mask...
Thank you, for reading and taking time to comment. Your thoughts the other day about why you art were very compelling (sorry I did not write, was feeling worded out :)
"dangerous games with truth" "force to reckon with" "thinker behind the clown mask" - reminds me that genius is a great power and potentially a dangerous one. Seems that he straddled that line of brilliant illumination and danger.
"worded out" - I have complete reverence and respect for the silence needed to regenerate, no apology needed.
Thanks, for your understanding
_/|\_
Yes, all art is at once surface and symbol. Those who go beneath the surface do so at their own peril, as Wilde said.
Certainly, art is power and blessing, and if not directed towards service can be corrupting to both artist and audience.
Thank you, for the Beauty you put out into the world.
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Thank you, kind folks
_/|\_
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