Interesting History about Iranian and Indian Persian intellectuals debate and speculate❤️😍
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Today I will tell you about debates between Indians and Persian scholars on the Persian Language
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The eighteenth century was a time when Urdu poetry flourished.
Urdu poetry grew popular in northern India during this time due to a variety of linguistic and cultural causes.
In the same era, Rekhta Goi began, and Eham Goi, a major movement in Urdu poetry, was born, both of which had a significant influence on Urdu poetry.
In terms of poetry, the Urdu language replaced Persian, and it became well-known and popular as a powerful language.
For centuries, Persian was India's scientific and literary language, and Indian poets and writers had amassed enormous power in the Persian language, but Iranian linguists did not consider the poets here worthy of attention, resulting in numerous controversies. And the debate surrounding Faizi is a product of that era.
This confrontation between Iranian and Indian Persian scholars emphasized the fact that no matter how proficient the Indians were in the Persian language, they were unable to achieve the same level of acceptance and importance as the Iranian people. This attitude created a new field for India's Persian-speaking poets to express themselves and show the essence of their ideas.
As a result, Siraj-ud-Din Ali Khan Arzoo encouraged local poets to recite poetry in Rekhta, and "Marakhte" meetings began to be held at his home on the fifteenth day of each month.
In the style of Mushaira, the name "marakhta" was coined. Most of the new generation of poets have stopped reciting poetry in Persian and have dedicated their entire attention to reciting poetry.
These things became so common that even Persian-speaking poets began to write poetry to change the taste of their mouths according to the prevailing customs.
The lineage poets of northern India were given new life when Wali's Diwan arrived in Delhi in the second decade of the eighteenth century.
This Diwan of Wali was in Rekhta and was arranged according to the Persian alphabet, which caused the process of making Diwan to gain traction even among Delhi poets. Urdu poetry thus entered a new age.
Urdu poets made the popular trends of Persian poets their beacon and wrote Persian poetry when the first period of Urdu poetry began in northern India. The first tradition to be embraced was the "Iham Goi" tradition. Dr. Jamil Jalebi claims that:
The Diwan-i-Wali had a significant impact on northern Indian poetry, and the Deccan's long literary tradition became a part of the north's literary tradition. The eighteenth century saw the emergence and editing of a new universal tradition, influenced by both North and South literary and cultural influences. Iham Goi, the first literary movement in Urdu poetry, flourished under Diwan-e-influence. Wali's
Eham Goi was a notable Urdu poetry trend in northern India. This movement began during the Mohammad Shahi era, and gained popularity after the arrival of the Wali Diwan in Delhi. This movement paved the way for the growth of Urdu poetry in northern India.
Eham is an Arabic term that means "to delude" as well as "to be deluded or deluded." It was given the name Eham because the reader is deceived by the use of this industry.
The literal meaning of Iham is "industry," which derives both near and far meanings from the poem's basic word or words, with the poet implying the latter.
"The meaning of Iham is that the word on which the poem is based has a meaning, and one of these two meanings is close to the other is distant," writes Dr. Jameel Jalebi. In his work, the poet refers to distance rather than proximity.
There are a variety of delusions and sorts of delusions. Shams-ur-Rehman Farooqi, a well-known Urdu critic, identified three categories.
Eloquence in Urdu poetry began with Amir Khosrow. In his Persian poetry, he was the first to employ Iham as an enterprise. Then, using Persian and Urdu, he delivered Urdu poems in which this industry was mentioned. Ehm appears frequently in his proverbs and riddles.
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The name of the saint is crucial in promoting this eloquent tradition. Wali's poetry has a strong reflection of this industry. As a result, the Wali is regarded as the birthplace of the Iham movement.
Khan Arzoo is credited for establishing the eloquence industry. Khan Arzoo and his students made great use of this sector. He predicted that, in the future, Rekhta would replace Persian as the official language of this country. By the way, while the list of experimenters in this industry is long, poets like Inamullah Khan Yaqeen, Shah Mubarak Abro, Shakir Naji, Mustafa Khan Yak Rang, and Shah Zahooruddin Hatim, among others, are well-known.