Ambiguous street scenes

After all, I shot street scenes with a double meaning, or just aesthetic pictures where colors are combined, or something catches the eye. I'll tell you, this is also a separate world, like spotted street, where the only point is to collect as many spots as possible and mix them into a single carpet.

I have been observing this frequency of street photography for a long time, and last year I had attempts to play with objects in the form of substitutions or overlays.

All genres and subgenres are necessary and important, as they reflect our reality to one degree or another, and from different angles.

And I, in turn, like to observe and explore these worlds of photography, how they affect me and how I influence them.

It is noteworthy that these subgenres (worlds, frequencies) do not have clear explicit boundaries.

Everything can overlap or overlap.

There may be an ambiguous plot in a spotty street, or a reportage photo may have a spotty effect.

Spotting can be aesthetic, but reportage photography cannot be abstract and incomprehensible, as it immediately loses its status as reportage.

The city is the same and the streets are the same, even the street genre is the same, but there are many facets of it.

And I've discovered a new facet for myself that I can't name yet.

I can only give a description. Here is a spotty principle that I use in the street. It implies a telephoto lens and a large depth of field.

And now the opposite of the previous one: a telephoto lens with a minimum depth of field, but the principle is the same – spotted.

The spots are likely to be collected from a blurred background, which will have to be selected.

...In general, about this series of pictures...I want to stay on this frequency, but I need to visit another world, which I have already mentioned...This is a spotted street.

There are some things that need to be checked and comprehended.

For almost all series of photos, I choose the cover for the post.

This time, there are so many good pictures that you can put any one on the cover.

And the post turned out to be voluminous for one, but it fell a little short of splitting into two parts.

...The city and the frequency of the street do not let me go.

I was already able to connect to the dugouts, but after going a couple of times, I wanted to go to the city again.

I know why...because I'm on vacation and I go out to the city less often.

Either that's how the global reporting wave works.

Yes, I also said that even if I connect to the dugouts, I will still want to photograph the street.

Okay, that's not a bad thing...after all, the cellars are now available.

And the street is always open.